By DJing in headphones listening only to the main output A track from a mix that I planned (in Serato). Read this next: How To Use Booth Monitors (And What To Do When There Aren’t Any!) 3. You never hear the tracks in stereo, and if you’re the kind of DJ who likes to “audition” a new track to decide if you want to play it or not, privately (I am…), you’ll want to switch in and out of this function, but for many DJs, this is the best way to play in clubs without worrying about the quality of the monitors provided. Once you get used to the idea that everything you’re hearing in one ear is what your audience can hear, and everything in the other is what only you can hear, it is surprisingly easy to adapt to DJing in this way. Here’s how it works: When you press the switch (it’s sometimes also called “mono split”), the DJ gear sends the “cue” or “PFL” signal into one of your earpieces, in mono, and the master into the other, also in mono. Practically all DJ mixers have it, and some higher-end controllers and consoles too. Not all DJ gear has this function nowadays. By using the Headphones Split button The mono split button on a Pioneer DJ pro mixer. It takes a bit of getting used to, but it is pretty easy to DJ this way once you do – no speakers required. When you’re ready, you can mix the next track in, monitoring how it sounds by mixing the two to where it makes sense for you, by turning the knob. You can, by switching between the “master” and the “cue” or “PFL” sides of the mix, keep up to speed with what is going to the audience, while also being able to cue up the new source or sources. To hear what the audience can hear – well, for these DJs, that’s the job of the speakers.īut you don’t have to DJ like that. Many DJs spin with the headphones mix knob all the way to “cue”, so that is all they can hear in their headphones. Learn to DJ with Digital DJ Tips: The Complete DJ CourseĭJs, of course, use the cue or PFL function so they can hear a music source (typically, the “other deck”) that the audience cannot hear, in order to prepare that source to be put live to the audience when needed. These are any music sources where you have pressed the “cue” or “PFL” button. Secondly, you can choose to hear your “cue” or “pre-fade listen” (PFL) channels. Its job is to decide what you hear in your headphones, and the choices are two-fold: Firstly, you can choose to hear the master output (ie what your “audience” is hearing). Practically all DJ controller and mixer have a knob called “headphones mix” or “cue mix”. Practically all DJ controllers, consoles and mixers have this. By using the Cue Mix knob The Cue Mix knob on a Numark Mixtrack Pro FX controller. Up to you – but all of these methods work with both headphones and IEMs.ģ Ways To DJ In Just Your Headphones 1. For others though, they prefer to engage with the music with their headphones on, and take them off to chat to people in the booth or hear the room as everyone else hears it. When you DJ like this, instead of having a pair of headphones around your neck and taking them on and off, maybe having one ear on and one ear off, and so on, you keep your IEMs in all night.įor that reason, some DJs prefer spinning using IEMs (our course tutors Laidback Luke and James Hype are good examples). You know when you see singers with in-ear headphones on stage? That’s what they’re using. One of the good things about DJing this way is that it is possible to DJ with earbuds, or “IEMs” (in-ear monitors). Being able to DJ in just your headphones is a great skill to have in these situations, because it means you don’t have to rely on the provided equipment Or, you could actually be playing a gig where they do indeed have lots of speakers, but the monitor speakers (in the DJ booth) are either non-existent, or poor quality.So not only can’t you make a noise, but you haven’t got any speakers with you anyway Alternatively, it could be that you want to practise or record a set, but you’re in public – on a plane, in a hotel reception areas, or similar.Or, you could live in a place where you can’t make much noise, so DJing with your speakers isn’t much fun – yet you can rock out as much as you want in your headphones You could be DJing at a time of day when you can’t have your speakers on, such as late at night when others are asleep.There are several reasons why you may want to do this. In this article, we’ll look at what your options are. And there are actually three ways you can do this. There are lots of reasons you may want to DJ in just your headphones, with no speakers to help you.
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